Saturday, January 7, 2012

The first big reveal of 2012!!

Hi guys:)

So...our next book is...

The Sweetness at the Bottom of the Pie by Alan Bradley. I hope you all enjoy it! See you on Feb. 10!

2012 Meeting Dates

Hi everyone, and happy 2012! I just thought I'd confirm the next few meeting dates:
  • February 10 (Rachel)
  • March 23 (Hannah) - 6 weeks later
  • May 4 (Sue) - 6 weeks later

After that we might need a few more changes ...

  • June 8 or 22 (Sarah) - Sarah, is there any indication that there will be more time in your crazy busy life for book club this year? Are you still interested in picking a book and hosting a meeting?
  • July 20 or 27 (Julia) - Julia ... not sure if these dates work with your summer plans.
  • September 7 (Tara)
  • October 19 (Lois)
  • November 23 or 30 (Patti)
  • Tanya, Denise, Elsa, Sherri ... 2013 :)

We had a great (and late!!) 2012 kick-off meeting at Sherri's place last night, discussing "The Kitchen House" by Kathleen Grissom and eating lots of good food prepared by Sherri's personal garcon a.k.a. Jay ... and confirming for him that we can drink wine and talk about non-book-related things like nobody's business!

And now ... for the Big Reveal! Actually, now that I've revived the blog I'm going to send you all the link so that you can check here for the next book, but I'll let Rachel do the Big Reveal :) See y'all on Feb. 10!

Thursday, August 25, 2011

Revised dates for 2011 & 2012

I sent out an email about the revised dates but I thought I should put it here too. I hope you're all having a great summer, and I'm looking forward to seeing you at Tanya's place on Sept. 9! Maybe when I figure out how to get pictures off the little camera I'll post one or two from our sushi night :)
  • September 9 (Tanya)
  • October 14 (Denise) - at the cottage!
  • November 25 (Elsa)
  • January 6, 2012 (Sherri)
  • February 10 (Hannah)
  • March 23 or 30 (Rachel)
  • May 4 (Sue)
  • June 8 or 22 (Sarah)
  • July 20 or 27 (Julia)
  • September 7 (Tara)
  • October 19 (Lois)
  • November 23 or 30 (Patti)

Tuesday, June 14, 2011

Discussion Questions for Peace Like a River by Leif Enger

1. As the novel begins—indeed, as the very life of this novel's narrator begins—a miracle happens. Describe it. How does it happen? Who accomplishes it? Begin your discussion of this book by recounting the major and minor miracles that occur throughout. What role do they play in Peace Like a River?




2. Born with a severe case of asthma, Reuben Land, our young hero and narrator, must often struggle to bring air into his lungs. Throughout the book, Reuben is preoccupied with his own breathing, and the act of breathing functions in this story as a metaphor for life itself. How does Reuben cope with his ailment, and how is his character influenced by it? Provide instances where breathing takes on special meaning in the narrative.



3. Consider the details of the double homicide committed by Davy, Reuben's older brother. Does Reuben see Davy as a murderer, or as one who acted in self-defense? Does he want Davy brought to justice, or does he think justice has already been served? What about the other main characters: how do they feel? And what about you, the reader? How was your impression of Davy—and of this novel—influenced by his actions? Discuss how the novel explores the idea of loyalty.



4. Peace Like a River is set mainly in rural Minnesota and the Badlands of North Dakota during the early 1960s. Like early American pioneers, or perhaps like mythic heroes, the Lands set out to rescue one of their own amidst the beauty and cruelty of the natural world. How does the Land family contend with this raw, uncivilized, and sometimes brutal landscape? Identify events or circumstances in which the novel's setting contributes to its elemental or mythic quality.



5. Swede, Reuben's imaginative, prolific, and precocious younger sister, creates an epic poem about a cowboy named Sunny Sundown. Talk about Sunny's ongoing saga as an ironic commentary on Reuben's larger narrative. What are the parallels?



6. Besides the Sunny Sundown text, several other outlaw tales, literary allusions, biblical legends, and historical asides are offered—by Swede or by Reuben himself. Identify a few of these stories-within-the-story, explaining how each enriches or influences the main narrative.



7. Discuss the character of Jeremiah Land, Reuben's father—and the center of his moral compass. What are Jeremiah's strengths, as a person and a parent? Does he have any weaknesses? Why did his wife leave him, all those years ago? And why does he "heal" the grotesque employer who fires him (p. 80)? Explain how the novel's dual themes of familial love and ardent faith are met in this character.



8. Both during Davy's trial and after his escape from prison, we encounter a variety of public viewpoints on what Reuben's brother has done. Such viewpoints, usually presented as personal letters or newspaper editorials, are always steadfast yet often contradictory. What does Reuben seem to realize about the so-called "court of public opinion," in light of these viewpoints?



9. Prayer is described in many ways, and on many occasions, in Peace Like a River. Reading this book, did you discover anything about the activity of, reasons for, or consequences of prayer? What larger points—about religion and human nature, say—might the author be making with his varied depictions of people at prayer? For instance, when remembering a prayer he said that included blessings for even his enemies, Reuben comments thus regarding Jape Waltzer: "Later I would wish I'd spent more time on him particularly" (p. 285). Why does Reuben feel this way? What power does he recognize in his own prayers? Discuss the impact prayer has on Reuben, and how it transforms him.



10. Recovering from a near-fatal asthmatic collapse, Reuben muses: "The infirm wait always, and know it" (p. 290). Given Reuben's physical condition, and given what we know about his ancestry and the story at hand, what is Reuben "waiting" for? How is his waiting resolved? Can this analogy be applied to any of the other characters?



11. The final miracle in Peace Like a River occurs, of course, when Jeremiah surrenders his life for Reuben. But why, at an earlier point in the story, does Reuben observe, "Since arriving at [Roxanna's] house, we'd had no miracles whatever" (p. 257). Discuss the truth and falsehood of this remark. How might Roxanna herself be seen as a miracle?



12. What does the character of Roxanna bring to the Land family? What does she provide that the Lands had lacked before her arrival? Over the course of the novel, Reuben's attitude and his physical descriptions of Roxanna change. In what ways does it change, do you think Roxanna’s attitudes toward the Lands as a family and Jeremiah as a person undergo a similar metamorphosis?



13. In "Be Jubilant, My Feet," the next-to-last chapter, Reuben and Jeremiah enter a world beyond this one. "Here in the orchard," our hero recalls, "I had a glimmer of origin: Adam, I thought" (p. 301). Where exactly are Reuben and his father? What happens to them? How have these crucial events been foreshadowed, and how are they new or unprecedented?



14. Much of this novel concerns the inner life of childhood: imagination, storytelling, chores, play, and school life. Discuss the author's portrayal of childhood. Do the children depicted here seem realistic? Why or why not?



15. Remembering his own childhood, author Leif Enger recently noted: "I grew up squinting from the backseat at gently rolling hills and true flatlands, where you could top a rise and see a tractor raising dust three miles away. So much world and sky is visible, it's hard to put much stock in your own influence." Does this type of relationship between the individual and the natural world appear in Peace Like a River? If so, where? Identify key passages or scenes where the characters seem inferior to the landscape, or even at the mercy of it.



16. Finishing his story, Reuben notes: "You should know that Jape Waltzer proved as uncatchable as Swede's own Valdez" (p. 309). What do the characters of Jape and Valdez represent in this novel? Conclude your discussion by comparing and contrasting Peace Like a River with the traditional morality play—the symbolic drama (dating back to medieval times) based on the eternal struggle between Good and Evil.

Monday, May 16, 2011

And our next book club pick is....

Peace Like a River


The meeting will be at my house on Friday June 17th.  Closer to the day I will send out some questions.  Hope to see you there!

Wednesday, March 16, 2011

Book Choices - Fall 2004 to Spring 2011!

Once in a while someone asks me for the list of books that we've discussed since Hannah, Rachel, Jenn Burnett and I started the book club in the fall of 2004. Since I just updated it for another book clubber whom I met at the kids' music school, I thought I'd share it here too ... enjoy!

2004
Clara Callan (Richard B. Wright)
The World According to Garp (John Irving)

2005
No Logo (Naomi Klein)
Reading Lolita in Tehran (Azar Nafisi)
The Lovely Bones (Alice Sebold)
Boy's Life (Robert McCammon)
The Blind Assassin (Margaret Atwood)
The Good Earth (Pearl S. Buck)
Crow Lake (Mary Lawson)
Birds Without Wings (Louis de Bernieres)

2006
Cloud Atlas (David Mitchell)
Memoirs of a Geisha (Arthur Golden)
Jonathan Strange and Mr. Norrell (Susanna Clarke)
Time Traveler's Wife (Audrey Niffenegger)
Glass Castle (Jeannette Walls)
The Girls (Lori Lansens)
The Curious Incident of the Dog in the Night-time (Mark Haddon)
The Secret Book of Grazia dei Rossi (Jacqueline Park)
Divine Secrets of the Ya-Ya Sisterhood (Rebecca Wells)

2007
The Secret Life of Bees (Sue Monk Kidd)
Riding the Bus with My Sister (Rachel Simon)
My Name is Asher Lev (Chaim Potok)
The Shadow of the Wind (Carlos Ruiz Zafon)
Special Topics in Calamity Physics (Marisha Pessl)
Rockbound (Frank Parker Day)
The Big Over-Easy (Jasper Fforde)
Water for Elephants (Sara Gruen)

2008
Midwives (Chris Bohjalian)
Objects in Mirror are Closer Than They Appear (Katharine Weber)

The Red Tent (Anita Diamant)
No Great Mischief (Alistair MacLeod)
Stones from the River (Ursula Hegi)
Plainsong (Kent Haruf)
The Reluctant Fundamentalist (Mohsin Hamid)
Refiner's Fire (Mark Helprin)

2009
The Lost Garden (Helen Humphreys)
Eat Pray Love (Elizabeth Gilbert)
Belle Falls (Sherri Vanderveen)
Olive Kitteridge (Elizabeth Strout)
Girl with a Pearl Earring (Tracy Chevalier)

Mutant Message Down Under (Marlo Morgan)
Persuasion (Jane Austen)
Remains of the Day (Kazuo Ishiguro)
Snow Flower and the Secret Fan (Lisa See)
The English Patient (Michael Ondaatje)
To Kill a Mockingbird (Harper Lee)

2010
The Guernsey Literary and Potato Peel Pie Society (Mary Ann Shaffer & Annie Barrows)
An Unquiet Mind - A Memoir of Moods and Madness (Kay Redfield Jamison)
Remembering the Bones (Frances Itani)
The Book Thief (Marcus Zusak)
The Namesake (Jhumpa Lahiri)
That Old Ace in the Hole (Annie Proulx)

The Other Side of the Bridge (Mary Lawson)

Beatrice and Vergil (Yann Martel)

Drowning Ruth (Christina Schwarz)

The Space Between Us (Thrity Umrigar)

What They Wanted (Donna Morrissey)

2011

The Historian (Elizabeth Kostova)

The Housekeeper and the Professor (Yoko Ogawa)

Sarah’s Key (Tatiana de Rosnay)

Monday, February 21, 2011

Our Next Meeting ...

... is at Sarah's place on Friday, March 18. We will be discussing "Sarah's Key" by Tatiana de Rosnay. According to the schedule, Julia will be revealing the book that we're discussing on April 15. Please take a look at the schedule (in a previous blog entry) and keep our meeting dates in mind as you're planning other things, if at all possible. If you have a conflict on the date of your own meeting, you might want to ask Tanya (with as much notice as possible) to take your spot since she hasn't had any luck with her scheduled dates :)

See you in March!